iMDB Rating: 3.5
Date Released : 1 July 2013
Genre : Action, Horror, Sci-Fi
Stars : Kate Nauta, Erika Jordan, Emily Addison, Mika Brooks." />
Movie Quality : BRrip
Format : MKV
Size : 870 MB
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Subscribe NowOne of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands.
Excellent Sci Fi movie - do NOT read spoilers!
I SO enjoyed this movie - always LOVE to see a very entertaining sci-fi film. This one really must be seen on a big screen. But don't let anyone tell you about the movie plot (which is excellent)!!! If they start to do so, stick your fingers in your ears and hum! Don't be tempted to read spoilers!
Part of your fullest enjoyment of this film would come from everything about it being a surprise. If you like sci-fi, you will thoroughly enjoy the plot line, the action, the actors, wonderful visuals of earth, the music and the well-done special effects.
Just watch the trailer if you need to be intrigued. It is a well done representation.
Two self-aware characters in a "Call of Duty" style video game struggle with their screwy, frustrating existence.
Gave this one a Watch a while back
The film is self-aware which is fine, but it's one of the more poorly blocked/shot films I've seen in awhile. Wherever the camera should not be to get the maximum impact of a shot, count on it being there. =(
Also, anytime the protagonists are sharing a scene together, count on dead air and a complete lack of energy on screen. The movie also uses stock footage for a lot of its action sequences, while still shooting its actors on today's more modern digital cameras. This creates a visual disparage in quality that reminds constantly takes you in and out of any kind of world the film was trying to build. It's an interesting concept, but the editing, shot design, and cinematography all feel like they were grasping at straws to make this production work.
Kudos to the team for getting it in the can, but I would definitely not recommend this to anyone who likes video games. It may insult them. =/
What would you do if you had the chance to save the love of your life? Daniel Ortiz is about to find out, the only problem is he's 10 years in the past in a Honduran military prison about to die in the morning. The only hope is a man known as Sandoval.
Captain Tomlin is tasked with assembling a team of super-heroes in order to seek & uncover the secret of the Universe in order to save the planet, humanity and most of all his soul mate Melanie.
In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer, a train that travels around the globe via a perpetual-motion engine.
Metropolis of the new century
No spoilers here !
Remember Metropolis, the great silent film by Fritz Lang, and probably the most revered science-fiction film of all times ? Well, if Snowpiercer is not such an absolute masterpiece, I do believe it's the best reiteration of the same concept that made Lang's film so unique : asking questions about the condition of mankind in a futuristic society, and how it does and does not evolve as compared with current times.
It's good that not all near-blockbuster scale sci-fi movies do not come out of Hollywood anymore. Snowpiercer is based on a long-forgotten 70's French graphic novel. The Korean director got his hands on a bootleg translation in a Seoul bookshop while filming The Host and got totally hooked. The end product is a French-Korean production, in the making of which one of the authors of the original graphic novel got directly involved.
The plot is simple : ecologist freaks have pushed governments to unleash a gas in the atmosphere to control global warming, this proved so effective that the world is now a standalone, snow-covered giant ice cap. The only survivors are all aboard a revolutionary train that goes on and on making loops around the world. It's like Noah's Ark, but including the politics that come with it : first class, second class, workers, fraudsters, the ticket is your fate - for generations. And the consequences are extreme, to such and extent that you can't conceive. Prepare to be shocked at times. Imagine the vertical multistoreyed humanity of Lang's Metropolis, the horizontal way. Some of the tail section fraudsters decide to rebel against their condition and progress to the head car of the train regardless of the risks. Every car they go through bears its grotesque and mind-bending surprises. And tells us more about how this society actually works and what it relies on.
This film has style. Even though it reminds of Gilliam (see 12 monkeys) and Matsumoto (Galaxy Express), there is real personality and originality. CGI is limited to a few breathtaking scenes that really add up to the storyline. Acting is mostly excellent, especially by Ed Harris and John Hurt. But most importantly, this film triggers reflection, soul-searching and debate like true Sci-Fi gems should. Unlike most Hollywood movies, it is not Manichaean : the story and morals are complex and debatable. You heart keeps swinging for scene to scene as you learn more. The ending asks a lot of questions.
All in all, when the end credits start rolling, it's a film you want to rewatch, not because you haven't understood, but because you want to understand more, and experience more.
Intriguing thriller follows the obscured life of an outlawed man, Henry, who possesses superpowers.
In the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Delacourt, a government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn't stop the people of Earth from trying to get in by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life but could bring equality to these polarized worlds.
Lacking in Motivation
Elysium is the follow up, much anticipated by many, to the critically acclaimed District 9 from South African-Canadian director and writer Neill Blomkamp.
In the middle of the 21st Century, with the world now grossly over-populated and law and order seemingly at breaking point, the super wealthy have decamped to a satellite space station highly visible from earth, a utopian society free of poverty, illness and other such mundane woes.
Meanwhile, the vast majority of earth's population lives in squalid, cramped slums seemingly based on the Favelas of Rio de Janeiro. Needless to say, the rich are all too keen to protect their enclave and any unauthorised vessels arriving from earth are duly dispatched by being blasted away.
Jodie Foster stars as Elysium's ambitious and sociopathic Defence Secretary, as ruthless at advancing her own interests as she is at ensuring the purity of the over-sized Ferris wheel whose security is in her charge; Matt Damon is the working class drone desperately trying to access the other world for the treatment to cure his radiation sickness from which he will die in 5 days.
There was clearly an interesting concept waiting to burst out here, an opportunity to explore themes of wealth, inequality, social status, health care and immigration, but sadly it failed on almost every level to build interest or have anything relevant to say.
First, we saw so little of the societal structure or way of life on Elysium itself. Apart from Jodie Foster and a few other high ranking officials, the film showed us nothing of how this satellite was run. It looked as if everyone lived in a McMansion style-home the type you find next to golf courses in Florida or on the Sunshine Coast. It all looked terribly sterile, reminiscent of the contrived town Jim Carrey inhabited in The Truman Show. We were not privy as to who cut the lawns, did the plumbing or washed the dishes. Superficially, the lives of these pampered people seemed hollow and totally unfulfilled where were the galleries, the museums, the theatres or even a casino for those that might like that sort of thing? Frankly, the impoverished life on earth which was shown with enforced work in a fascistic environment seemed far more fulfilling.
Further, Matt Damon's motives for getting on Elysium were totally selfish. All he wanted was to save his own skin. Granted, there was then concocted an unconvincing love interest and a wish to save his childhood sweetheart's little girl but this too was just parochial. Where was the burning anger borne from social injustice, the wish to better the lot of all humankind, the working class warrior on a mission? And when the film's final denouement came it was head in a sick-bag time.
The script and dialogue were banal, as was Jodie Foster's delivery. Matt Damon worked harder to bring some interest to his character but he was up against it but at least he tried.
The CGI was good but that's pretty much a given in any well-funded Hollywood film these days. Close up camera work was appalling, non-stop wobble vision which made action sequences confusing. This camera style is so unnecessary and it really is beyond comprehension as to why film-makers persist in its use; in small doses it can be effective but when near constant it produces a feeling of nausea.
It is so disappointing to be relentlessly negative about a film but when they are as lacking as this one, the positives can be hard to find.
Dag joins the rebells to kidnap the evil queen Regina. When the plan goes wrong by a colleagues betrayal, Dag is the only survivor and is sent to prison. In prison he meets an inventor called Bernhard Elmer. They form a friendship, and Elmer gives Dag his latest invention. Logum, a clock which steers time. With this clock, Dag escapes the prison, and starts the search for his missing fiancée, which was taken by Regina's army.
In an alternate universe, time travel was a terrible weapon used in global conflict. Now, one man must fight against everything he knows in order to harness that power to save his wife from certain doom. Battling the betrayals of those he once trusted, the lawless world and the mobsters that rule it - even battling time itself.
Forced underground by the next ice age, a struggling outpost of survivors must fight to preserve humanity against a threat even more savage than nature.
Slow to start, predictable, horrible ending.
The movie starts off slow, but there is some attention to detail about how life would be like in an underground Colony.
The acting in general is average - the actors did well given the plodding pace of the story. Laurence Fishburne, Kvin Zegers and Charlotte Sullivan worked their parts but were hurt by shallow/wooden acting from Bill Paxton.
The CGI and general set construction was good. Quite realistic setup - might be good to see just for all the hydro/aquaponic setups... at least I found that interesting.
I didn't appreciate how the movie ended, but no spoilers. Just don't expect great things.
All in all, an OK movie but not worth the current 7.0 rating!
After defeating the villainous Dr. Siddhant Arya, and bringing his father Rohit back from the dead, Krrish continued fighting against evil and saving innocent lives. Now Krishna is living a happily married life with Priya, while Rohit is using his scientific brilliance to benefit society. And Krrish is everyone's favorite superhero saviour. Unknown to them, a dark force is growing in another part of the world. Kaal, an evil genius, is selfishly misusing his powers to spread fear, death and destruction. And he is being assisted by an army of very dangerous beings, which he has created himself. Not long after Kaal's plans are put into action, both Rohit and Krrish find themselves faced with a crisis of epic proportions, which only they can resolve, together. But when they finally cross paths with Kaal and his army, neither of them is prepared for what lies ahead. Kaal not only brings the world to the brink of disaster, he also puts the strength and love of Krishna and his family to the ...
Make way for the Indian Super Hero
Once in a while comes a movie which makes you wish you were a kid all over again, Rakesh Roshan has managed to create one such movie.
KRRISH 3 satisfies that child in you, successfully creating a desi superhero on par with his Hollywood peers. The sheer brilliance of the movie lies in the maker's vision-a vision which people would have brushed aside as sheer madness five years ago-a vision coupled with brilliant special effects (courtesy sharukh's red chillies) give us an amazing roller coaster ride into the world of super heroes, super villains and mutants.
Krrish 3 begins from where Krrish ended, beginning with a voice over of Big B reminding us of the events of the previous two films, reasonably so since all the three films are tied in so beautifully that audience actually truly understand what a trilogy actually means.
Vivek Oberoi plays a Kaal a paraplegic who is obsessed in finding a cure for his disease ends up creating mutants and slowly the hatred towards his fellow human beings turns into imagining himself as a member of superior race. Never has villainy so chillingly portrayed-here is a villain for whom you actually feel sorry and at the same time feeling terrified about the things he is capable of.
Hrithik Roshan plays Krish and Rohit-the transition should be seen to be believed. He portrays a innocent, well meaning old man on one hand complete with prosthetic s doing overtime and on the other hand plays the vulnerable superhero.
Priyanka Chopra's Priya starts off ordinary like a normal Bollywood heroine but changes colors and portrays different shades of the same character.
Kangana Ranuath is the surprise package playing Kaya-a mutant capable of shape changing, manages to evoke sympathy even when showing her evil side. The scene where she rescues baby from getting killed and the reaction she receives from the people around her bringing her to question the sides she is taking....the one scene showcases Kangana's real histrionics.
The ending with characters dying and buildings destroyed brings us memories of the super hero flicks of the 80's Hollywood. The entire climax leaves the audience with bated breath with surprises galore.
The destruction of Krish Statue and Kaal's appearance thereafter is one the best scenes in the movies coming second only to the introduction scene of Krish-when he actually saves an aircraft from crashing in quite different way then his Hollywood peers would have done.
While at it, the movie is not without its flaws, the major thing here is the heavy superman and x-men hangover-Rakesh Roshan actually lifts characters from both the movies. Come on! who in his right mind will name his kid Kaal. The songs are so out of place. Rajpal Yadav's character is wasted-the way the character shows up on the screen, it would have helped the movie in a lighter tone had his character been more fleshed out. Kaaya showed immense promise as Krrish's sidekick, too bad we don't get to see her that way-Rakesh Roshan should have given it a thought.
All said and done, Krrish lifts the jinx off Indian superheroes...Yep even we can make a good kick ass Superhero movie and get away with it
In 20xx, the world is divided into two powers: the Western Block and the Eastern Block. Serving as a border zone between the two is "J-Country." As such, it is used as a battleground for the two sides in their never-ending conflict. Mylene, an undercover agent from the western block, has been hiding out in J-Country. While investigating human trafficking, she meets a young man named Chris. Mylene finds herself attracted to Chris and after completing her mission and returning to headquarters she is unable to keep him out of her mind. "Recover Dr. Klein and see to her protection!" is the newest mission assigned to Mylene from the 00 agency. Abducted by the Eastern Block, Dr. Klein was in charge of the Faust Project and the technology that made Mylene into a cyborg. During the briefing for the mission she puzzles over a name that sparks memories buried within her cyborg mind. "Recover Dr. Klein and see to her protection!" is the newest mission assigned to Mylene from the 00 ...
The Defenders of Eden, a family of Estrie hunters, unite with a demon hunter to destroy a union of dark cults with one goal, to drive the world into darkness and to rise to godhood. As the world falls further away from light, Chicago becomes a battleground where evil spirits gain the power to become flesh and enter our world. But when the Defender's prophetic leader Rabbi Adam Hassan's visions lead him to Victor Locke, a man with the power to fight these supernatural creatures, the tide may turn in their secret war...if he chooses to join their fight.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls.
The Most Marketable Movie Ever Made...
World War Z is a zombie outbreak movie that supposedly bases itself on the amazing book of the same name by Max Brooks. What this movie truly is, is a shamefully mediocre attempt to create a movie that appeals to the widest audience possible. Pee established fan base from the book? Check. Star power (this is Brad Pitt)? Check. Focuses on intensity rather than horror and gore to not alienate non zombie fans? Check. Safe, young PG 13 rating? Check. All the makings are here because this is what the big Hollywood studio wanted. Despite the fact this movie doesn't resemble the book at all, it appears that those attached to make this movie tried to make a decent movie such as the visually interesting director Marc Foster who wanted to make a movie with a message which would emulate the tone the book was going for. However, the big studio disliked this and demanded rewrites and re-shooting that damaged the relationship between the director and Brad and results in a quick, intense action movie that lacks the character development and messages it needed to be a truly memorable movie because almost every one of those scenes were cut so much to the point that central characters get barley any lines. While the action scenes are intense and enjoyable on their own and Marc foster adds style to the lack of substance but its just not enough to save this movie. While it is better than it had any right to be thanks to Marc, it needs more and it lacks in crucial substance. However from the reviews and box office reports it appears Hollwood has succeeded in creating a successful marketable movie that everyone will eat up and it will be too late when we all get the nasty aftertaste.....
It's the weekend, and the lads are off on the town! What could possibly go wrong? How about the end of the world as we know it. 'Something' has happened, the undead are out in force, roaming the streets and devouring all who get in their way. Several groups of unlikely people find themselves trapped together in an emergency rescue centre, but no rescue is coming! So as the country goes to hell overnight, and the reality sinks in, how and what will these people do to survive.
The dead might be inside, but the boredom sure is out...
"The Dead Inside" boasts 'post-Romero packed with punch' on the DVD front cover. You have to look really long and hard for anything even remotely close to what Romero have accomplished with any of his movies. And paying £10.08 for this movie on Amazon is a rip off, because this movie is downright and blatantly bad.
Everything in this movie just screams low budget and inferior production. The camera-work was questionable and most of the time downright annoying. I don't pay money to see a movie that is shot by a camera operator with Parkinsons disease. The camera-work in "The Dead Inside" was all over the place.
The dialogue was mundane, and delivered without any punch or conviction, which just added fuel to the fire that was characters that had no appeal, no charisma, no dimension and characters that you didn't care about or relate to in any way.
As much as I enjoy zombie movies, then the running zombie aspect of the zombie mythology is just wasted on me. Personally, I am more to the staggering, slow zombies that walk with a gait. And zombies should at the very least look like they are deceased individuals, not just people painted with some grey make-up and splashed with fake blood.
"The Dead Inside" had nothing interesting to offer, nor did it prove interesting in any single way. And as much of a zombie aficionado as I am, then this movie was just a swing and a miss.
Don't get suckered and fooled by the somewhat interesting and appealing DVD cover, because it has nothing to do with the actual movie itself. And the zombies in the movie doesn't even look like on the DVD cover at all. The zombies in the movie were just regular people milling about with bad make-up.
Stay well clear of "The Dead Inside", because there is very little to be had here...